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ANIRBAN: CINEMA BEYOND DEATH'S SILENCE

Forty-five years after its release, Bhabendra Nath Saikia's Anirban remains an overlooked cinematic masterpiece. Utpal Datta explores i...

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GOODBYE SHATTERS THE NARRATIVE GRAMMAR

Vinta Nanda discovers in Deeshak Patra’s 18-minute-long At Last We Said Goodbye a fearless new cinematic voice,...

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WHY MOTHERS ECLIPSE FATHERS DAILY

Monojit Lahiri explores why Mother’s Day commands greater emotional resonance than Father’s Day, exam...

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GOVERNOR REWRITES HISTORY FOR POLITICS

Film critic Arnab Banerjee examines Governor, a politically charged retelling of India's 1991 economic crisis, praising Manoj ...

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DEMOCRACY ON UNEVEN GROUND

Vinta Nanda examines how corporate power, religious majoritarianism, weakened institutions, and narrative control are reshaping Indian ...

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STUDENT CITY PART 3

in Part 3 of Student City, Prof. Dr. Piyush Roy explores privilege, loneliness, desire, and emotional alienation within the ch...

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CINEMA THAT BREATHES IN STILLNESS

An evocative evening of French and German short films in Mumbai explores stillness, abstraction, and instinctive storytelling, as filmm...

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DELHI RECLAIMS CINEMA AND CREATIVE DIALOGUE

Anchored by Artistic Director Vani Tripathi Tikoo’s powerful reflection, IFFD 2026 marks Delhi’s cultural resurgence through independent cinema...

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WAR AND PEACE IN CONFLICT

In an age of shifting power, contested truths, and invisible wars, this reflective essay by Vinta Nanda explores the meanings of war and peace,...

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JOY SENGUPTA: ACTOR WITHOUT COMPROMISE

In a rare, deeply reflective conversation with Khalid Mohamed, actor Joy Sengupta traces his journey across theatre, c...

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