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POLITICS: AMERICA’S ELECTION SIGNALS SHIFT

“I’m viewing the 2024 U.S. election through the lens of economic concerns, media influence, and social media’s role in shaping political narratives amidst...

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POLITICS: CONGRESS’S PLURALISM IS KEY TO VICTORY

Congress’s commitment to pluralism is vital for maintaining the trust of minorities, marginalized communities, and secular Hindus, ensuri...

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FESTIVALS: INDIAN FILMS TO SHINE AT MOSCOW

A global celebration of cinema featuring 18 Indian films among 300+ screenings, setting the stage for creative collaboration and cultural excha...

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THOUGHT FACTORY: THE PERILS OF BLIND FAITH

Cults led by godmen erode rational discourse and exploit vulnerable populations. In times of crisis, these leaders offer false hope and gain im...

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POWERFUL PEOPLE: OF SERVICE TO WOODINVILLE

It is with great pride that I present to you Preeti Shridhar, who recently took charge as the elected representative in Woodinville, Washington...

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A CHAPTER ON KUMAR SHAHANI’S KASBA

Kumar Shahani’s aesthetic sensibilities were shaped while assisting Robert Bresson on Une Femme Douce (A Gentle Woman, 1969). Additionall...

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UNDERSTANDING THE BUSINESS OF HANDCRAFTED TEXTILES OF INDIA

Vinta Nanda has this fascinating conversation with author and chronicler Savitha Suri about Khadi, the name, which belongs to ...

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BADHTI KA NAAM DADHI: THE NEW TREND OF FACE FUZZ!

Monojit Lahiri borrows the title of the genius Kishore Kumar’s goofy satire from the classic ‘Chalti Ka Naam Gaadi...

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‘GOOD JOB NELIIMA!’

Aparajita Krishna has this power-packed conversation with Neliima Azeem - she calls her ‘a very consummate and individua...

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JAFAR PANAHI: STRUCTURE, AUSTERITY & SOCIAL CRITICISM

Sharad Raj discusses the cinema of Iranian filmmaker Jafar Panahi, his consummate understanding and command over time and spac...

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