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MOTHER MYTH MAN CALLED SHAKESPEARE

Yashika Begwani reflects on Hamnet, where Chloé Zhao reimagines Shakespeare through Agnes, the grieving mother, explori...

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KALEIDOSCOPE: LUCKNOW BETWEEN PAST AND NOW

Cultures are never frozen in time, they keep moving, keep evolving.
Filmmaker and writer Sharad Raj reflects on Lucknow as a city negotiat...

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TRENDING: CULTURE, SCREENS, STORIES, SHIFTS, POWER

From blockbuster star sightings to emerging tech, awards honouring inclusivity, breakthrough entertainment ventures and the rise of reading-led...

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ALTERNATIVE ENTERTAINMENT: WHEN PHANTOM INDIA WAS GHOSTED

Khalid Mohamed assesses the now accessible 1969 documentary, Phantom India, helmed by the French auteur Malle, which had been ...

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POWERFUL PEOPLE: OF PARADISE REGAINED

Khalid Mohamed interviews Saba Azad, who portrays the Kashmiri singer, Raj Begum, a quiet rebel with a cause, with boundless g...

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BOLLYWOOD: REVIEW - TANVI THE GREAT

A heartfelt yet oversimplified tale of autism, Tanvi The Great delivers emotional highs but falters in depth, relying on sentiment ove...

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BOLLYWOOD: LET HEROINES BE FUNNY, TOO

Comedy Roles for Bollywood Heroines? Kya Joke Mara!! Monojit Lahiri wonders why good, solid comic roles are not writt...

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HOLLYWOOD: SECRET WARS & THE COMICS BEHIND AVENGERS DOOMSDAY

With fans breaking the Internet during the recent cast announcement of the next film involving the Avengers, Avengers Doomsday, a die-hard fan ...

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THOUGHT FACTORY: THE DEATH OF THE STORYTELLER

As censorship tightens and expression is choked, storytellers face an existential crisis. With creativity shackled by morality and control, is ...

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BUSINESS: HOW INDIAN IS INDIAN ADVERTISING?

As pride, identity and profiling increasingly come into play at the global level, questions will follow: Have we been able to define where Indi...

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