BOB DYLAN’S IMMIGRANT LAMENT STILL HAUNTS US

In this searing cultural meditation, Khalid Mohamed revisits Bob Dylan’s protest song on migration, lin...

HOUSEFULL WITHOUT AUDIENCES: THE BOX-OFFICE ILLUSION

When marketing noise replaces footfalls and perception trumps participation, Indian cinema risks hollowing itself out. The growing gap between ...

BUSINESS: KOHLI KE PEECHE KYA HAI??

A hymned and celebrated superstar in every cricket playing nation on planet earth, this guy keeps challenging every former/ existing great to d...

BOLLYWOOD: MR. MOHABBAT ZINDABAD!!

As Dilwale Dulhania Le Jayenge completes 30 years of success, Monojit Lahiri takes you down memory lane tracing the life and t...

BOLLYWOOD: THE NEW BLOCKBUSTER PHENOMENON

Attention Saiyaaara’s Dazzling Debutantes...Your Time Starts Now!! Monojit Lahiri pulls back in an attempt to focus on a...

THOUGHT FACTORY: MOVIE MAGIC DEFEATS ONLINE NOISE

Rajinikanth’s Coolie: When Sheer Movie Magic Trumps Noise (and Logic)

Everyone want...

TRENDING: HUMAN STORIES STILL TOUCH HEARTS

Exploring romantic films Saiyaara and My Oxford Year, Yashika Begwani reflects on soulful storytelling, the AI era, and why hu...

BOLLYWOOD: LOVE TRIUMPHS IN SAIYAARA AGAIN

A surprise hit, Saiyaara blends old-school romance with modern aesthetics, reviving the “forever love” narrative in an age...

KALEIDOSCOPE: THE ONE-WAY SHIPS IS A STIRRING DEBUT

A powerful debut, The One-Way Ships unearths the forgotten voices of colonial India’s ayahs—young girls torn from home, na...