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TELEVISION: RETURN TO TV WITH AYE DIL…JEE LE ZARA

Gajra Kottary returns to TV with Aye Dil…Jee Le Zara, defying industry norms, embracing change, and reigniting the power of ori...

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THOUGHT FACTORY: THE DEATH OF THE STORYTELLER

As censorship tightens and expression is choked, storytellers face an existential crisis. With creativity shackled by morality and control, is ...

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GENDER: STORIES OF POWER AND PERSISTENCE 2024

Exploring gender through culture, cinema, and politics, The Daily Eye reflects on a year of powerful stories that challenge stereotype...

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TRENDING: THE GRIM REALITY ON CHILDREN’S DAY

"On Children’s Day, let’s demand more than speeches—address India’s missing children crisis, rising child trafficking, ...

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TRENDING: MARCHING FOR LADAKH’S RIGHTS  

Sonam Wangchuk’s peaceful protest demands autonomy for Ladakh, calling for responsible governance that prioritizes environmental protecti...

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THOUGHT FACTORY: INDIAN INDEPENDENT CINEMA’S EVOLUTION

Exploring the journey of Indian independent cinema from the constraints of the pre-internet era to the digital renaissance, highlighting key fi...

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POLITICS: ACTIVISM FOR EQUALITY AND JUSTICE

In the wake of recent events, notably the controversy surrounding the conferment of the Sangita Kalanidhi award upon TM Krishna by the Madras M...

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MANI KAUL’S ICONOCLASTIC USKI ROTI

This film is a juxtaposition of slow-moving close-ups and wide shots layered with lots of silence and interspersed with a few monotonous dialog...

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IDENTITY, IDENTIFICATION AND THE FUEL OF TIME’S FURNACE

Humra Quraishi writes, “It’s August and focus is on Kashmir. On 5 August 2019, the status of Jammu and Kashmir was altered by revok...

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NEED FOR EQUITABLE GENDER REPRESENTATION IN HINDI CINEMA

A new research report by the School of Media and Cultural Studies at the Tata Institute of Social Sciences, Mumbai, reveals that on-and-off-scr...

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