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Bollywood

STAR POWER DROWNS HAIWAAN’S THRILLER

Arnab Banerjee reviews Haiwaan, Priyadarshan’s remake of Oppam, arguing that an intriguing psychological thriller is overwhelmed by Akshay Kumar&rsqu...

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Bollywood

GANDHARI REVIEW: MISSES MARK BY MILES

In this review, Saibal Chatterjee finds Devashish Makhija’s Gandhari an ambitious but deeply flawed thriller, where Taap...

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Bollywood

BATWARA 1947 REVIEW: SHABANA AZMI

BATWARA 1947 REVIEW: SHABANA AZMI

Every nation carries within it a wound that hi...

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AI and Tech

MICRO DRAMAS REDEFINE GLOBAL ENTERTAINMENT

India is emerging as the global growth engine for micro dramas and short-form entertainment, with mobile-first audiences, soar...

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Thought Factory

CINEMA VERSUS VERTICAL STORYTELLING SHIFT

Vinta Nanda explores how vertical storytelling is reshaping audience behaviour, why independent cinema must build communities,...

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Bollywood

DHURANDHAR REVIEW SPECTACLE VERSUS SUBSTANCE

Dhurandhar – The Revenge unfolds as an ambitious spectacle, blending geopolitics, action, and emotional conflict, yet struggles to sustai...

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Thought Factory

INDIAN FARMERS BLINDSIDED BY CINEMA

Khalid Mohamed examines the deepening crisis faced by India’s farmers and how their ongoing struggles are overshadowed b...

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Retroscope

AMITABH BACHCHAN: HINDI CINEMA’S DARK EDGE

The Greatest villain that Hindi films could not have…though one is not complaining about what one got instead. Sharad Raj explor...

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Trending

TRENDING: THE VILLAIN INDIA NEVER GOT

On his 83rd birthday, Sharad Raj reflects on the cinematic journey of Amitabh Bachchan — the superstar of the last mille...

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Bollywood

BOLLYWOOD: FAMILIAR STORIES, FADING CINEMATIC IMPACT

Ah, the age-old tale of twin brothers with identical looks but vastly different values meets film ideas that often originate from a simple spar...

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