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BOLLYWOOD: TWO FILMS, TWO FLAWED JOURNEYS

War 2 and Tehran both promise high-octane entertainment and politically charged drama but falter under bloated storytelling, uneven execution, ...

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TRENDING: A THOUSAND QUIET EXPLOSIONS OF CREATIVITY

From provocative fiction to powerful grassroots screenings and a festival of global cultures—meet the quiet revolutionaries reshaping Ind...

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MOVIES: WHY THIS ADVENTURE FAILS

A scathing critique of Sonar Kellay Jawker Dhan by Shantanu Ray Chaudhuri, exploring how lack of imagination, poor ex...

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GENDER: ALL ABOUT THE PATRIARCHAL PUSHBACK

A double-edged narrative: how the Sonam-Raja murder and Deepika Padukone's casting row reveal media bias, caste patriarchy, and the urgent need...

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AMIT KHANNA’S JOURNEY AS A LYRICIST

 

Shantanu Ray Chaudhuri goes past many of Amit Khanna’s talents and brings fo...

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HOW WILL I KNOW PEACE

Humra  Quraishi revisits the artist Satish Gujral and his words, as she tries to make sense of the polarisation and lack ...

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TOLLYWOOD’S GIFTED ACTORS

Bengali cinema and filmmakers, though revered worldwide, still do not draw much attention within India. It may have to do something with the ov...

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Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...

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Art Passion

Khalid Mohamed in conversation with poet-photographer-artist, Amit Kumbhar, for whom art counts way more than fame or mon...

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Courtesan Queen

As Rekha brings in her 68th birthday, film historian Dhruv Somani recollects her famous roles as the courtesan who danced her ...

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