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ADAMYA REVIEW BY SAIBAL CHATTERJEE

Writer-director Ranjan Ghosh’s Adamya (The Unbroken) is nothing short of a marvel, writes critic Saibal Chatterj...

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A LAST CALL FOR THE PLANET

In this in-depth conversation with Vinta Nanda, Fr. Kureethadam Joshtrom reflects on ecology as an ethical and spiritu...

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WHY ARCHIVING CINEMA MATTERS: NEVILLE TULI

A wide-ranging conversation on archives, cinema, and cultural consciousness, where interviewer Vinta Nanda engages Nev...

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SUCHITRA SEN: THE STAR WHO CHOSE SILENCE

On her 12th death anniversary, Monojit Lahiri recalls the mystique, magnetism and unmatched romance of Suchitra Sen—Beng...

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TV: TRUTH RISES THROUGH THE DARKNESS

In this review by Monojit Lahiri, a relentless Bengali crime thriller unfolds with raw performances, fearless direction, and a...

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TV: A JOURNEY THROUGH GOD’S OWN COUNTRY

Part 2 of Surabhi Diaries by filmmaker Suhail Tatari continues his vivid recollections from the iconic cultural series Surabhi—this time ...

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KALEIDOSCOPE: THROUGH CONFLICT, TRUTHS STAND TALL

My own encounter with the book has been a unique reader-experience, writes Aparajita Krishna. A one-of-a-kind in my reading of...

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BOLLYWOOD: ARYAN KHAN BREAKS BOLLYWOOD RULES

“I am in love with your wife (Maya)!” — a line from Kabhi Alvida Naa Kehna becomes the metaphorical cue for Aryan Khan’...

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TRENDING: SCANDAL THAT SHOOK THE WORLD

Khalid Mohamed unspools the shocking adulterous affair in the extra-conservative era of post-independence India, and Europe, b...

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BOLLYWOOD: ‘ALL I NEED IS WOR

Rehana Sultan, the sensation of the 1970s following Chetna and National Best Actress Award winner for Dastak, in conversation...

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