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PRITAM AND PEDRO REVIEW VERDICT

A convention-bound cyber thriller that never quite acquires the unmistakable Hirani magic. Despite capable performances, P...

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WELCOME LOST IN SATIRICAL CHAOS

Lost in the Wilderness of Its Own Making: Arnab Banerjee reviews Welcome to the Jungle, finding a promising satirical premise ...

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BORROWED LOVE FADES TOO SOON

Film critic Arnab Banerjee examines Ek Din, a Hindi remake of the Thai romantic drama One Day, questioning whether its poignan...

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BOLLYWOOD: SUNNY SANSKARI KI TULSI KUMARI

Bollywood Comfort Food, Reheated with Extra Ghee (and a Side of Confusion): A formula-driven rom-com that leans on wedding cha...

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BOLLYWOOD: SAME OLD LOVE STORY RETURNS

North Meets South, Clichés Meet Screen: Kerala Endures Yet Again! A tired cross-cultural romance that recycles clichés, Param Sundari offers postcard...

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POWERFUL PEOPLE: THE BIG WORLD OF PRAVESH SIPPY

Khalid Mohamed in conversation with Pravesh Sippy on changing lanes from the big-budget films of his father N...

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BOLLYWOOD: ECHOES OF JASPAL SINGH’S VOICE

Jaspal Singh's songs from the 1970s still stir the soul. Though his playback career was brief, his mellifluous voice left an indelible mark on ...

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ALTERNATIVE CINEMA: A PAINFUL CYCLE OF SURVIVAL

A haunting Israeli drama exploring the harsh realities of a mother-daughter relationship, the inescapable cycle of prostitution, and the devast...

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GENDER: A SHAKEN CITY AND NATION

The catastrophic Kolkata case of rape, torture, and murder has shaken the city, the state, the rest of India, and the world. Every kind of depr...

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KALEIDOSCOPE: CELLULOID TO DIGITAL BY V.K. CHERIAN, BOOK REVIEW

Despite the cynical and sceptical times we live in, there are indeed many people who honestly enjoy movies, know the difference between good an...

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