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GENDER: EXIT MATASREE...ENTER MOM–KI HOYA??

Once the emotional anchor of Hindi cinema, the quintessential Bollywood mother shaped generations of storytelling with her sacrifice—unti...

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BOLLYWOOD: LET HEROINES BE FUNNY, TOO

Comedy Roles for Bollywood Heroines? Kya Joke Mara!! Monojit Lahiri wonders why good, solid comic roles are not writt...

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ALTERNATIVE ENTERTAINMENT: TOPSHE FOREVER

On the fiftieth anniversary of Sonar Kella, Siddhartha Chatterjee Reflects on Topshe, Satyajit Ray, and Life Beyond Cinema in this int...

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KALEIDOSCOPE: A THRILLING RIDE FULL OF TWISTS

A suspenseful journey through truth and deception, The Reappearance of Rachel Price by Holly Jackson keeps readers questioning everyth...

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MOVIES: FAIRY TALE FALTERS IN AJOGYA

"Despite the charm of a fairy tale reference, Kaushik Ganguly's Ajogya struggles with a muddled narrative and underdeveloped characters, falling short of his acclaimed cine...

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SOME LIKE IT CHILLED!!

Why? What is it about ghosts, paranormal and horror tales that is so seductive, enticing and thrillingly scary? What is behind our fascination ...

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THE POLITICAL GAMECHANGER

Satyabrata Ghosh analyses the politics of the day, and arrives at conclusions, which opposition parties must adhere to if they...

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I WOULDN’T HAVE IT ANY OTHER WAY!

Vinta Nanda explores the making of a poet, reaching nowhere obviously, because ‘if we knew what makes a poet, everyone w...

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BOLLYWOOD’S TIMELESS MAJNU: YASH CHOPRA

On his 90th Birthday, last week, Monojit Lahiri pays tribute to the flamboyant and trail-blazing filmmaker for whom love, roma...

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The Comic World Of Pierre Étaix

Vandana Kumar writes: ‘Le Grand Amour’ (The Great Love) 1969 is a French comedy that introduced me to its director...

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