DAADI KI SHADI REVIEW ANALYSIS

Arnab Banerjee reviews Daadi Ki Shadi, examining its progressive premise, hesitant storytelling, uneven humour, and N...

MIRROR TO A CAUSE: CINEMA OF ANSHUL SINHA

Anshul Sinha’s journey through indie cinema reflects risk and purpose, as his film Million Views attempts to heal a frac...

MAHESH DATTANI’S THE MONK AND THE WARRIOR

Avinash Kolhe reviews Mahesh Dattani’s The Monk and the Warrior, a cross-cultural queer narrative blending history, myth...

A TIMELY DIALOGUE AT IFFD 2026

A powerful panel at IFFD 2026 brings together leading independent filmmakers to examine opportunities, challenges, and the evo...

DELHI RECLAIMS CINEMA AND CREATIVE DIALOGUE

Anchored by Artistic Director Vani Tripathi Tikoo’s powerful reflection, IFFD 2026 marks Delhi’s cultural resurgence through independent cinema...

DHURANDHAR REVIEW SPECTACLE VERSUS SUBSTANCE

Dhurandhar – The Revenge unfolds as an ambitious spectacle, blending geopolitics, action, and emotional conflict, yet struggles to sustai...

DELHI FESTIVAL CHAMPIONS INDEPENDENT CINEMA

The International Film Festival of Delhi 2026 launches a dynamic platform uniting mainstream and independent cinema, featuring WIFF Mumbai coll...

PAGE MEETS SCREEN AT WIFF (LIT) MUMBAI

Where Stories Found Their Voice: WIFF LIT Opens Conversations Between Literature and Cinema

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FEARLESS NADIA’S HUNTERWALI FILM PHENOMENON

Film historian and Proffessor Piyush Roy revisits Hunterwali (1935), the groundbreaking Wadia Movietone stunt classic...