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MICRO DRAMAS REDEFINE GLOBAL ENTERTAINMENT

India is emerging as the global growth engine for micro dramas and short-form entertainment, with mobile-first audiences, soar...

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THE JOY OF UNEXPECTED DISCOVERIES

At MIFF 2026 last month, Vinta Nanda discovered three extraordinary student films from Whistling Woods International that reaf...

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BANDAR REMAINS CAGED IN AMBIGUITY

 Kashyap’s Bandar Rattles Loudly, Says Half Truths. Film critic Arnab Banerjee reviews Anurag Kashyap's Bandar, a pris...

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THOUGHT FACTORY: A SILENCE THAT SHOUTS

An incisive reflection by Sohaila Kapur on speech and silence, moving from personal memory to cultural critique, revealing how...

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POWERFUL PEOPLE: THE QUESTION UNANSWERED

As India celebrates the birth centenary of Dr. Bhupen Hazarika, the Bard of the Brahmaputra, Utpal Datta recalls a poignant co...

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TRENDING: TIMELESS LIGHT AND LIVING MEMORIES

At Piramal Gallery, NCPA, I revisited Bombay’s cultural past through the lens of twin photographers Debolina Mazumdar and Monobina Roy &m...

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BOLLYWOOD: FIRE, FOLKLORE, FLIGHT, AND FEAR

A Many-Splendored Tale of Magic, Memory, and Myth:  Raam Reddy’s Jugnuma fuses magical realism, myth, and ...

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POWERFUL PEOPLE: PRESERVING THE ART OF STORYTELLING

Khalid Mohamed interviews Danish Husain on his such a long journey from a banker to an artful storyteller in ...

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POWERFUL PEOPLE: THE BIG WORLD OF PRAVESH SIPPY

Khalid Mohamed in conversation with Pravesh Sippy on changing lanes from the big-budget films of his father N...

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ALTERNATIVE ENTERTAINMENT: OF HUMAN BONDAGE

Through his unflinching lens, GMB Akash documents the unseen struggles of the marginalised — using photography not just to witness suffer...

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