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FESTIVALS: ARE FILM FESTIVALS TAMASHAS OR REALITY CHECKS??

Often dismissed as elite echo chambers, film festivals straddle praise and parody. Monojit Lahiri investigates whether our film festivals are a...

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MOVIES: THE SOULFUL STILLNESS OF PURATAWN

Suman Ghosh’s new film marks the return of Sharmila Tagore to Bengali cinema after a long hiatus. Shantanu Ray Chaudhuri...

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BUSINESS: CHALLENGING CREDIBILITY OR INFLUENCING SALE?

From Leela Chitnis to today’s stars, celebrity advertising in India has evolved dramatically—entertaining, controversial, and often...

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ALTERNATIVE CINEMA: A PAINFUL CYCLE OF SURVIVAL

A haunting Israeli drama exploring the harsh realities of a mother-daughter relationship, the inescapable cycle of prostitution, and the devast...

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RETROSPECTIVE: CINEMA, CONSCIOUSNESS AND TIME

Exploring Shumona Goel’s experimental cinema through fragmented time, sensory aesthetics, and urban modernity, this analysis connects her...

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FESTIVALS: A TRIUMPHANT INAUGURAL START FOR GAFF

The inaugural Guwahati Asian Film Festival showcased cinematic excellence, encouraging cultural exchange and dialogue while paving the way for ...

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KALEIDOSCOPE: TALKING PROCESS WITH HARINI SRINIVASAN

Harini Srinivasan, author of Lovestruck and Confused, discusses toggling between historical mysteries and contemporar...

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POLITICS: PADMA SHRI, AN ARTIST AND A “SADHVI”

In this poignant reflection, the author, Sharad Raj, contrasts the recognition of iconic artist Prof. Ranbir Singh Bisht with ...

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KALEIDOSCOPE: A VAST CINEMATIC LANDSCAPE

Exploring Indian cinema’s unsung gems, Tejas Poonia’s insightful book showcases low-budget films, cultural phenomena, and cinematic...

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BUSINESS: HOW INDIAN IS INDIAN ADVERTISING?

As pride, identity and profiling increasingly come into play at the global level, questions will follow: Have we been able to define where Indi...

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