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The art of Gaganendranath Tagore

At the height of darkness comes the first stirrings of dawn - a renaissance in the arts, literature and social life. It is against this backdro...

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HIGH FIVE: Time for Some hoichoi

Starting out in 2017, the first regional OTT player in India, hoichoi, is now the world’s leading Bengali...

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Hrid Majhare: The Bard’s Official ‘Debut’ in Bengali Cinema

In the series on landmark Bengali films post 2000, Shantanu Ray Chaudhuri looks at Ranjan Ghosh’s adaptation of Shakespe...

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The Art of Ramkinkar Baij

Modern Indian sculpture as we know it began with Ramkinkar Baij. Shantanu Ray Chaudhuri looks at the works and legacy of a pio...

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Hello, says the killer: Mukhosh

This serial cop-killer flick does not quite cut it either as a thriller or as a statement on crime and punishment, writes Shantanu Ray ...

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BINISUTOY - Without Strings…

Atanu Ghosh’s new film weaves a delightful tapestry that defies genre pigeonholing, writes Read More

REKKA - Robindranath Ekhane Kawkhono Khete Aashenni

Shantanu Ray Chaudhuri: Hobbled by a stodgy screenplay and two uninspiring lead performances, Srijit Mukherji’s adaptati...

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BAISHE SRABON: Dead Poets’ Society

In the series on landmark Bengali films post 2000, Shantanu Ray Chaudhuri looks at Srijit Mukherji’s genre-bending noir ...

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CLASSIC HEIST: Six Films That Define the Genre

For a generation weaned on the high-tech-and-gizmo-aided heist of Steven Soderbergh’s Ocean Eleven or Dom Cobb’s equally SFX-aided ...

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MURDER IN THE HILLS

MURDER IN THE HILLS

Shantanu Ray Chaudhuri’s review of the the sin...

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