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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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CHEF VINITA GHATGE ON REINVENTION
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Author
Author detailsKhalid Mohamed
Khalid Mohamed is an Indian journalist, editor, film critic, screenwriter and film director. He formerly worked for the Hindustan Times and was the lead editor for Filmfare magazine.
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As messy as it gets





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Khalid Mohamed reviews the time-travel series JL 50, the documentary Social Dilemma and ...
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Khalid Mohamed reviews the widely-lionised Malayalam film C U Soon, Yaara an exhibition of bare chests-‘n’-bespoke...
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Khalid Mohamed in conversation with Bangalore’s iconoclastic artist, Pushpamala N, famous for her photo-romances o...
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Khalid Mohamed finds relief in Masaba Masaba and other fare on the streaming channels currently.
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The Glad and the Sad
Even as COVID-19 spikes on, the film soundtracks of yesteryear offer some solace and relief. Khalid Mohamed writes on the vast...
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Khalid Mohamed reviews the cop flick Class of ’83 and more fare streaming on the channels currently.
Brush with controversy
Khalid Mohamed recalls the needless controversy stirred up by a M.F.Husain artwork of Lord Ganesha, although his canvases, lim...
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Khalid Mohamed reviews the emotionally volatile Pakistani series Khaani, and the quirky Churails, dealing with a vigilante gro...
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