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BORROWED LOVE FADES TOO SOON
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REIMAGINING MENTAL HEALTH THROUGH COMPASSION
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WEST BENGAL’S DEMOCRATIC HOSTAGE CRISIS
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STUDENT CITY PART 2
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RAGHU RAI TRIBUTE THROUGH LENS
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MIRROR TO A CAUSE: CINEMA OF ANSHUL SINHA
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DR BHALERAO THEATRE LEGACY REMEMBERED
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AI DISRUPTS CINEMA AND IDENTITY
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BOLLYWOOD MODELS VERSUS ACTING DEBATE
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THE QUIET FIRE OF BECOMING
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Echoes of 'Black Lives Matter' in India
The unrest, the carnage, the protests that shook Trump’s America a few weeks ago, seems to be echoing in India too - though the tremors are much weaker, explains the aut...
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The Unknown Story
Indian cinema’s first superstar, Master Nissar, had passed away in abject poverty How many even know about India cinema’s first superstar, Master Nissar, and how ...
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Cheeni Kam: What is Cheeni, What is not?
Most Indians - up to 84% don’t want celebrities to endorse Chinese Brands. But do they know whether they’re using a Chinese brand or not? Let’s find out from...
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Shot by Shot: Politics of photography
Young photographer Vatsal Shah writes on the obstacles in the way of becoming a professional photographer in India Theories about photography can be broad generalisations or ...
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Save Crawford Market
Khalid Mohamed pleads for the restoration of the past glory of the centuries-old market, a part of which was gutted in a fire this month. To think of Mumbai without Crawford ...
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Anwesha Arya: The Miracle Woman
In times when many of Bollywood boys and girls are under the scanner, Vinta Nanda interviews Anwesha Arya – granddaughter of Bimal Roy, daughter of Basu Bhattacharya and...
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Tara Kaushal: Why Men Rape
Vinta Nanda interviews author Tara Kaushal, on the eve of the release of her book Why Men Rape: An Indian Undercover Investigation. I know Tara Kaushal by a recent frie...
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Nepotism: Advertising Industry better or Bollywood?
Sandeep Goyal gives you a view to the nepotism, which mocks at as much talent in the Advertising Industry of India as it does Bollywood. The media has been raving ...
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No Entry: Hazards in staging a theatre play in Mumbai
Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear’s courtesans. All the world’s a stage;...
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Don’t cry for Sushant!
Vinta Nanda discusses why in the creative universe, we should feel sorry for ourselves and not for those who have left us. You’re disturbed, because Sushant ...
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