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PRATIBIMBA: MARATHI THEATRE’S SPIRIT
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BORROWED LOVE FADES TOO SOON
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REIMAGINING MENTAL HEALTH THROUGH COMPASSION
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WEST BENGAL’S DEMOCRATIC HOSTAGE CRISIS
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STUDENT CITY PART 2
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RAGHU RAI TRIBUTE THROUGH LENS
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MIRROR TO A CAUSE: CINEMA OF ANSHUL SINHA
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DR BHALERAO THEATRE LEGACY REMEMBERED
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AI DISRUPTS CINEMA AND IDENTITY
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Celebrating Bachchan!
It’s his 79th birthday on the 11th October, and S M M Ausaja writes that It’s not easy to chronicle India’s most famous and popular celebrity on whom reams a...
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Signs of the time: The truth is still ALIVE!
Humra Quraishi looks at the way in which Indian society decays under merciless authoritarian governance Let us stop focusing on the horrific happenings taking place in ...
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The art of Gaganendranath Tagore
At the height of darkness comes the first stirrings of dawn - a renaissance in the arts, literature and social life. It is against this backdrop that we need to evaluate the w...
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Taboo Love and the Sensibility of Agnès Varda
Her cinema played with subversive and controversial subjects even as she kept up her engagement with the political environment of her times intact, writes Vandana Kumar My fi...
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My first trip on Air-India
With Air-India in the news, Farrukh Dhondy reminisces upon his first trip on the Maharajah’s airline. I left India for the first time when I was twenty years old,...
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Love me if you can: Khwaja Ahmad Abbas
“Love me if you can”, says the last will and testament of Khwaja Ahmad Abbas, writes Juhi Saklani The desire is couched as a friendly suggestion and is not ...
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Signs of the time: What Gandhi didn’t want
Humra Quraishi looks at the indiscriminate violence taking place around the country ironically on Gandhi Jayanti, the birth anniversary of the Mahatma whose belief in seculari...
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Signs of the time: The trauma generation
Humra Quraishi looks into reports, that are available, to find out about the fears and anxieties of the present youth and children in the State of Jammu and Kashmir. I&...
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Widening the Definition of Literature with Bob Dylan
The word ‘literature’ in a dictionary covers many genres of achievement and is the generic name for many sins, writes Farrukh Dhondy. Nevertheless it evokes the co...
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Hrid Majhare: The Bard’s Official ‘Debut’ in Bengali Cinema
In the series on landmark Bengali films post 2000, Shantanu Ray Chaudhuri looks at Ranjan Ghosh’s adaptation of Shakespeare’s Othello, with Macbeth and Julius Caes...
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