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To the country into which we were not born

“Twenty minutes ahead in the greatest terrorist attack of the year” – was Arnab Goswami’s text to the former BARC chief Partho Dasgupta, writes Vinta N...

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Sign of the times: Bollywood Missing

First things first, where are all the Bollywood stars that have played roles of farmers, writes Humra Quraishi  I do realize they were make-believe portrayals, more alon...

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Uff, that dance of chaos

Khalid Mohamed reviews the political askew Tandav, the heart-tugging Tribhanga and the pertinent critique Pareeksha. TANDAV (AMAZON PRIME)   Tandav is a divine d...

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Thank you Mr. Kamath - Better late than never!

Following the news of ASCI banning surrogate ads of 12 liquor companies, Dr. Sandeep Goyal states that his crusade of three years against the inaction has finally succeeded!&n...

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That’s Entertainment!

How do I start writing about a man’s love affair with Hollywood and the movies? Especially when he happens to be my father, writes Vandana Kumar  Whenever we had g...

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Dreaming big for the vulnerable: Chhitra Subramaniam

Vinta Nanda thinks that one of the greatest pleasures of running The Daily Eye is that you wake up everyday to the fact that there is so much to the world, which you don&rsquo...

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A Portrait in words and pictures: Seema Kapoor

Isolation amidst the tranquillity of the scenic environs of Jhalawar in Rajasthan  made Seema Kapoor address this article, writes Aparajita Krishna She also sent me her...

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Nervous Edges and Hesitant Hands: NAZAR -1989.

I had just passed out of FTII in 1989 and I was on my first feature as the Assistant Cameraman, reminisces Rafay Mahmood I was the only Assistant to DOP, Piyush Shah, and the...

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Black-and-white in colour

Khalid Mohamed recounts his emotional-laden encounter with the legendary French multi-media artist, Jean-Paul Goude, on a champagne-bubbly afternoon in Paris. Jean-Paul Goude...

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Those hidden thrillers!!

Film historian Dhruv Somani, checks out the engrossing thrillers of the 1970s, which went under the cracks since they flopped. Thrillers as a genre have always been a persona...

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REVIEW: HAPPY PATEL - KHATARNAK JASOOS IS BIG ON INTENT, LIGHT ON LAUGHS

The actor-director’s spy spoof aims for absurdist satire but collapses under stere...

January 21 2026

POWERFUL PEOPLE: 55 YEARS ON, MERE APNE’S RELEVANCE

Khalid Mohamed in conversation with the indefatigable poet, lyricist, story-script-write...

January 20 2026

KALEIDOSCOPE: LUCKNOW BETWEEN PAST AND NOW

Cultures are never frozen in time, they keep moving, keep evolving.Filmmaker and writer ...

January 19 2026