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BUILDING LEADERSHIP BEYOND TOKENISM
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QUEER MOTHERHOOD BEYOND STEREOTYPES
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CHASING SHADOWS IN A LOVELESS WORLD
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PRITAM AND PEDRO REVIEW VERDICT
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THE JOY OF UNEXPECTED DISCOVERIES
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VIJAYA MEHTA: THE LEGENDARY BAI LEFT US
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RAGHU RAI'S PHILOSOPHY OF SEEING
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RITUPARNO GHOSH'S ENDURING LEGACY
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ATUL KASBEKAR: SO CLOSE TO LIFE
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SARMAYA CELEBRATES PRADHAN GOND HERITAGE
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ALL ABOUT FRIENDSHIP
Dr. Ajanta Dutt highlights the pathos of a friendship between two boys - an unusual story, Dostojee, filmed in the backdrop of the Babri Masjid mayhem. Dostojee, opened to an...
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JAFAR PANAHI: STRUCTURE, AUSTERITY & SOCIAL CRITICISM
Sharad Raj discusses the cinema of Iranian filmmaker Jafar Panahi, his consummate understanding and command over time and space, and reviews his film The Circle (2000). If th...
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UGETSU MONOGATARI: THE MIZOGUCHI TREASURE
The cinema of Kenji Mizoguchi glides in and out of people’s lives with fluid grace and exquisite tact, writes Sharad Raj “The fruit of experience is beauty,&rdquo...
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MAHABALI: M. K. Raina’s Theatre!
Aparajita Krishna reviews the latest MK Raina play Mahabali and discusses its significance to these times when a distorted interpretation of Lord Ram, which is contrary to the...
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Decoding the chemistry: Uttam-Suchitra
Satyabrata Ghosh discusses the symbioses between the people at the two ends of the camera during the filming and after it, which resulted in the enigmatic chemistry that we kn...
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Childhood, Holocaust and the Cinema of Louis Malle
Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare category, writes Vandana Kumar....
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Bengali Cinema: A Middle Way to Tread
Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been often achieved despite the many digressions over ti...
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Ballavpurer Roopkatha: A Director In-charge
Satyabrata Ghosh distinguishes between an assembly line process aimed to gain eyeballs from that, which enables cinema to remain a director’s medium, by taking Anirban B...
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SUPPORTING ACTORS KA TIME AAGAYA!
Monojit Lahiri investigates the phenomenon of supporting actors in Bollywood transitioning from being sideys in the past to taking center stage today. Times, they sure are a ...
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On Watching Ponniyin Selvan
Satyabrata Ghosh reviews PS-1, a Mani Ratnam film, and discusses why such alternate content is of prime importance at a time when the aim of every filmmaker in post pandemic t...
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