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POWERFUL PEOPLE: 55 YEARS ON, MERE APNE’S RELEVANCE
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KALEIDOSCOPE: LUCKNOW BETWEEN PAST AND NOW
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HEALTH: WHEN CANCER GETS PERSONAL
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GENDER: CHAI AND LOVE MEET ON STAGE
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TRENDING: THE QUIET POWER OF COSTUMES
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RETROSCOPE: REMEMBERING RAY’S IMMORTAL…APU!
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BUSINESS: GIG WORK AND CAPITALIST FAILURE
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POWERFUL PEOPLE: A BEAUTIFUL MIND
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THOUGHT FACTORY: LISTENING IS THE NEW LOOKING
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THOUGHT FACTORY: PREGNANT RECALLS!
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Alternative Entertainment
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In the first of a new series on standout Bengali films post 2000, Shantanu Ray Chaudhuri looks at Suman Ghosh’s 2013 film. After the death of Ritwick Ghatak and Satya...
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Sharad Raj walks you through his experience of working with the actor par excellence Adil Hussain. The posters and the images on social media confused me. I was wondering w...
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Khalid Mohamed, inspired by a selection of the award-winning photos from National Sony World Photography 2021 competition, writes on the significance and evolution of image-ma...
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Vandana Kumar goes around John Cassavettes’ ‘A Woman Under the Influence’ and discusses how Independent Cinema in Hollywood pushed boundaries by depicting al...
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Vandana Kumar explores how a film like The Hairdresser’s Husband starts as a man’s fetish and ends like a singular love story. In a world where there is n...
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Mallika Bhaumik reviews Krztysztof Kieślowski’s Three Colours Red and reads the auteur’s mind while elucidating her own thoughts about it. After watching Krzt...
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Anupam Roy’s new single, featuring young Bengali rapper Cizzy, weaves in the COVID experience with some telling political commentary. The singer-composer duo spoke to Sh...
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Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and intellectual. The dictionary definition of mise ...
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As cancer treatment continues to rely on averages and probabilities, a breakthrough appr...
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