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INDEPENDENT CINEMA FINDS ITS AUDIENCE

At WIFF 2025, Kabeer Khurana, Deepa Gahlot and Siddharth Kak examined independent cinema, technology, exhibition, audiences an...

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PRITAM AND PEDRO REVIEW VERDICT

A convention-bound cyber thriller that never quite acquires the unmistakable Hirani magic. Despite capable performances, P...

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WELCOME LOST IN SATIRICAL CHAOS

Lost in the Wilderness of Its Own Making: Arnab Banerjee reviews Welcome to the Jungle, finding a promising satirical premise ...

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COCKTAIL 2 TESTS LOVE’S LIMITS

Arnab Banerjee examines Homi Adajania’s Cocktail 2, exploring fidelity, trust, temptation, and modern relationships whil...

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PRESERVING JAMSHEDPUR'S LIVING LEGACY

The Parsis of Jamshedpur: Prof. Dr. Avinash Kolhe explores the rich legacy of Jamshedpur's Parsi community through a remarkabl...

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DELHI GYMKHANA: A FAREWELL TO CHARM

Writer, Director, Actor Sohaila Kapur reflects on childhood memories, family legacy, and the uncertain future of Delhi Gymkhan...

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BANDAR REMAINS CAGED IN AMBIGUITY

 Kashyap’s Bandar Rattles Loudly, Says Half Truths. Film critic Arnab Banerjee reviews Anurag Kashyap's Bandar, a pris...

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MAA BEHEN STRUGGLES TO BITE

Arnab Banerjee reviews Maa Behen, Suresh Triveni's dark comedy starring Madhuri Dixit, Triptii Dimri, and Ravi Kishan...

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PRESENTING LOVE IN AN UNUSUAL ROLE

Monojit Lahiri explores how love, emotion, intimacy, and human connection have evolved from personal values into powerful business tool...

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SATYADEV DUBEY: THE MAD GENIUS

Playwright, director, actor, mentor, provocateur and iconoclast, Satyadev Dubey transformed Indian theatre through sheer force...

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