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FILMING MEMORY THROUGH PERSONAL LANDSCAPES
In this exclusive interview with Utpal Datta, filmmaker Vikram Kumar reflects on memory, grief, migration, belonging, autobiog...
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ANANTH MAHADEVAN AGAINST THE ODDS
In this candid interview with Khalid Mohamed, filmmaker-actor Ananth Narayan Mahadevan reflects on cinema, theatre, rejection,...
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JOY SENGUPTA: ACTOR WITHOUT COMPROMISE
In a rare, deeply reflective conversation with Khalid Mohamed, actor Joy Sengupta traces his journey across theatre, c...
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THE ETERNAL CRISES OF FILM SCHOOLS
From Argentina to India, film schools face political pressure, privatization threats, and ideological control. Sharad Raj refl...
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FESTIVALS: YEAR-END REFLECTION ON FESTIVALS IN INDIA
A year-end reflection on how festivals became classrooms, archives, shelters and movements—through writings by Utpal Datta, Vinta...
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TRENDING: A YEAR THAT CHOSE MEANING OVER NOISE
2025 was a year when activism, cinema and conversations around music quietly—but decisively—shaped what truly mattered. At The ...
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FESTIVALS: ARE THE NATIONAL AWARDS LOSING THEIR WAY?
Once upon a time the most glamorous, eagerly-awaited and coveted award was Filmfare founded in 1954, but today the National Awards’ credi...
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TRENDING: MAGICAL RENAISSANCE OF MALAYALAM CINEMA
A deep dive into Malayalam cinema’s renaissance through V.K. Cherian’s lens, exploring Noon Films, the A-Team of filmmakers, and th...
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MOVIES: BALANCING ART, RECOGNITION & RESPONSIBILITY
Recognizing directors as the artistic visionaries behind cinema, Utpal Datta advocates for their official acknowledgment in fi...
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BUSINESS: HOW INDIAN IS INDIAN ADVERTISING?
As pride, identity and profiling increasingly come into play at the global level, questions will follow: Have we been able to define where Indi...
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