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Bollywood

BOLLYWOOD IGNORES WOMEN IN COMEDY

Monojit Lahiri investigates the persistent absence of strong comic roles for leading Bollywood actresses, examining industry b...

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Alternative Entertainment

HUSAIN’S JOURNEY THROUGH HIS MUSES

That Search For A Muse: M.F. Husain’s Lifelong Quest for Inspiration: Khalid Mohamed writes on the litt...

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Thought Factory

WAR AND PEACE IN CONFLICT

In an age of shifting power, contested truths, and invisible wars, this reflective essay by Vinta Nanda explores the meanings of war and peace,...

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Bollywood

THE CURIOUS CASE OF PRIYADARSHAN

He’s back in the news. After a prolonged hiatus, the essentially South Indian filmmaker is returning to the arena of Bollywood cinema, wi...

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Retroscope

FEARLESS NADIA’S HUNTERWALI FILM PHENOMENON

Film historian and Proffessor Piyush Roy revisits Hunterwali (1935), the groundbreaking Wadia Movietone stunt classic...

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Alternative Entertainment

ADAMYA REVIEW BY SAIBAL CHATTERJEE

Writer-director Ranjan Ghosh’s Adamya (The Unbroken) is nothing short of a marvel, writes critic Saibal Chatterj...

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Gender

WOMEN RESISTING POWER IN INDIA

This Women’s Day, Vinta Nanda looks out for women in India resisting food capitalism, environmental destruction ...

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Retroscope

FORGOTTEN DANCING QUEEN OF HINDI CINEMA

The Last Dance: Tragedy of a Dancing Queen - Khalid Mohamed narrates the rise and fall of the iconic Cuckoo Moray, who mentore...

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Business and Politics

THE ETERNAL CRISES OF FILM SCHOOLS

From Argentina to India, film schools face political pressure, privatization threats, and ideological control. Sharad Raj refl...

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Bollywood

ASSI REVIEW: JUSTICE ON TRIAL

A Scathing Indictment of a Society Where Justice Arrives Too Late. Arnab Banerjee reviews Assi, Anubhav Sinha’s searing ...

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