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THE CURIOUS CASE OF PRIYADARSHAN

He’s back in the news. After a prolonged hiatus, the essentially South Indian filmmaker is returning to the arena of Bollywood cinema, wi...

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ALTERNATIVE ENTERTAINMENT: OF THAT HUMAN FACTOR

Currently, the boom in Artificial Intelligence has been viewed with mounting dread or embraced warmly as a technological revolution in image-ma...

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BOLLYWOOD: SUNNY SANSKARI KI TULSI KUMARI

Bollywood Comfort Food, Reheated with Extra Ghee (and a Side of Confusion): A formula-driven rom-com that leans on wedding cha...

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THOUGHT FACTORY: BOLLYWOOD GRAPPLES WITH DISABILITY

Portrayal of differently abled in Bollywood: Tokenism? Caricature? Empowerment? There are no easy answers because disability in Bollywood cinem...

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RETROSPECTIVE: CINEMA, CONSCIOUSNESS AND TIME

Exploring Shumona Goel’s experimental cinema through fragmented time, sensory aesthetics, and urban modernity, this analysis connects her...

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ALTERNATIVE ENTERTAINMENT: THE MUSICALITY OF NARRATIVE FILM

"Exploring the harmony between emotions and cinema, where musicality takes precedence over craftsmanship, transforming films into authentic, he...

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BOLLYWOOD: FROM STAGE TO SCREEN AND OTHER MEDIUMS

Monojit Lahiri explores the complexities, highlighting the nuanced distinctions and unique challenges actors face when moving ...

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NOT ABOUT SWASH-BUCKLING AND SWORD-SWINGING HEROES

Here’s an interview of Dr Shoma A. Chatterji, about her latest book ‘Through the Lens, Brightly: Women in Cinema, Women at Work&rsq...

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CAN MODELS…ACT??

Monojit Lahiri attempts to check out the blur between acting the art, and acting the glamour touch given to Bollywood cinema -...

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Two-in-one

Film historian Dhruv Somani tracks the double-pronged career of Feroz Khan, as an actor and director of tremendous s...

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