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ADAMYA REVIEW BY SAIBAL CHATTERJEE

Writer-director Ranjan Ghosh’s Adamya (The Unbroken) is nothing short of a marvel, writes critic Saibal Chatterj...

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STORIES TRAVEL FROM PAGE TO SCREEN

The Waterfront Indie Film Festival (WIFF) Mumbai launches its literature vertical with a two-day programme at SOCIAL V...

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PARALLEL LIVES BETWEEN THEATRE & CORPORATE WORLDS

In this candid conversation, interviewer Vinta Nanda speaks with Prakash Vaswani about theatre, corporate life, cultural reviv...

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POWERFUL PEOPLE: IDEAS BECOME MOVEMENTS HERE

A conversation between Vinta Nanda and Shenali Rajaratnam, a young global leader shaping future governance, d...

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FESTIVALS: CELEBRATING CINEMA ON CAMPUS

A Colourful and Intellectual Celebration of Cinema on a University Campus, as reported by Utpal Datta, explores how festivals ...

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ALTERNATIVE ENTERTAINMENT: WHEN PHANTOM INDIA WAS GHOSTED

Khalid Mohamed assesses the now accessible 1969 documentary, Phantom India, helmed by the French auteur Malle, which had been ...

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TV: WHEN FRAGRANCE BECAME THE TEACHER

In its first edition, Surabhi Diaries by Suhail Tatari revisits the beloved 1990s TV phenomenon Surabhi, cap...

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FESTIVALS: ARE THE NATIONAL AWARDS LOSING THEIR WAY?

Once upon a time the most glamorous, eagerly-awaited and coveted award was Filmfare founded in 1954, but today the National Awards’ credi...

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FESTIVALS: FUTURE AND LEGACY OF INDIAN CINEMA

A Bold New Chapter: SCREEN Academy Fellowship Empowers Young Filmmakers. From nurturing emerging voices to restoring timeless ...

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ALTERNATIVE ENTERTAINMENT: THE HUNT - A HAUNTING MASTERPIECE

SonyLIV’s The Hunt reframes political storytelling with restraint and realism, offering a gripping, almost meditative investigat...

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