A STORY BURIED BENEATH PARTITION'S ASHES

Arnab Banerjee examines Imtiaz Ali's Main Vaapas Aaunga, a poignant Partition-era drama exploring memory, displacemen...

BANDAR REMAINS CAGED IN AMBIGUITY

 Kashyap’s Bandar Rattles Loudly, Says Half Truths. Film critic Arnab Banerjee reviews Anurag Kashyap's Bandar, a pris...

MOVIES: DANCE OF PUPPETS AND DESIRE

Suman Mukhopadhyay’s Putulnacher Itikatha adapts Manik Bandopadhyay’s classic novel with sensitivity and cinematic depth, ...

RETROSCOPE: WAQT CHANGED HINDI FILMS FOREVER

Sixty years since its release, Waqt remains a landmark of Hindi cinema, introducing the ensemble cast format and modernising the &lsqu...

BUSINESS: TOTTENHAM SURVIVE, TRIUMPH, AND RISE

Tottenham Hotspur’s 2024/25 campaign was a dramatic clash of despair and triumph—scraping through Premier League survival while cli...

POLITICS: THE TOXIC HAZE OF INDIFFERENCE

Exposing the smog of indifference: How government inaction, communal divides, and systemic neglect throttle lives across India, leaving vulnera...

POLITICS: WHO TRULY BENEFITS FROM CONFLICT?

As violence and political tensions escalate in the Middle East, the global community watches in silence, grappling with fear and uncertainty ov...

THOUGHT FACTORY: CELEB SOUNDBYTES AND HUMAN TRAGEDIES

Monojit Lahiri investigates this contentious issue in the face of the latest nightmare emerging from Kolkata's R.G Kar Medical...

ALTERNATIVE ENTERTAINMENT: STUDYING IN INDIA CHANGED MY ARTISTIC PERSPECTIVE

Tharindu Ramanayaka, an independent filmmaker from Colombo, Sri Lanka, has carved a niche for himself in the world of cinema with his unique s...

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