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SHATRUGHAN SINHA & MENEKA GANDHI LAUNCH TOXIC

Shatrughan Sinha and Maneka Gandhi launched Dr Mukesh Batra’s Toxic in New Delhi, exploring environmental pollution, emotional wellbeing,...

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STAR POWER DROWNS HAIWAAN’S THRILLER

Arnab Banerjee reviews Haiwaan, Priyadarshan’s remake of Oppam, arguing that an intriguing psychological thriller is overwhelmed by Akshay Kumar&rsqu...

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FEROZ KHAN’S GENTLE ARTISTIC WORLD

Khalid Mohamed explores Delhi artist Feroz Khan’s remarkable journey from Purani Dilli banner painting to acclaimed cont...

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INDEPENDENT CINEMA FINDS ITS AUDIENCE

At WIFF 2025, Kabeer Khurana, Deepa Gahlot and Siddharth Kak examined independent cinema, technology, exhibition, audiences an...

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DESIGNING SPACES THAT FEEL HUMAN

Arnab Banerjee profiles designer Tasha Singh, whose inventive practice bridges Indian craftsmanship and contemporary thinking,...

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PRATIBHA SUMAN: REFUSING PRESCRIBED BOUNDARIES

From a small-town childhood to theatre, cinema, poetry and cultural activism, Pratibha Suman tells Vinta Nanda how independence shaped ...

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THE LAST LANGUAGE OF DEMOCRACY

As Sonam Wangchuk's fast enters its twentieth day, this essay examines hunger strikes worldwide, democratic dissent, capitalis...

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MICRO DRAMAS REDEFINE GLOBAL ENTERTAINMENT

India is emerging as the global growth engine for micro dramas and short-form entertainment, with mobile-first audiences, soar...

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BEGUM BARVE RETURNS WITH BRILLIANCE

Satish Alekar's landmark Marathi classic Begum Barve receives an accomplished revival under Gaurav Kanekar, proving why this groundbre...

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WOMEN RESHAPE INDIA'S CREATIVE ECONOMY

From beauty and fashion to design, healthcare, communications and conscious luxury, India's women are building businesses rooted in heritage an...

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