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THE NEW BUSINESS OF ENTERTAINMENT

When Brands Become The Storytellers: The New Business Of Entertainment: Vinta Nanda explores how brands, technology, c...

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THEATRE AND THE POWER OF INCLUSION

The World’s A Stage And We, The Performers: Sohaila Kapur interviews Anirudh Nair on theatre, Shakespeare, social privilege and B...

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UDTA TEER REVIEW: STAR CAST DISAPPOINTS

Udta Teer, starring Ayushmann Khurrana and Sara Ali Khan, attempts to turn Indo-Pakistani espionage into a farcical comedy. Reviewed by...

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THE RURAL BOY WHO BECAME A LITERARY ICON

Sohaila Kapur explores Mahesh Elkunchwar’s remarkable journey from rural Maharashtra to becoming one of Indian theatre’s mo...

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ANURAG CHAUHAN: YOUNG BODY, OLD SOUL

In this conversation with Sohaila Kapur, social worker Anurag Chauhan reflects on menstrual hygiene, education, transgender inclusion, ...

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SANJIB SABHAPANDIT: PURPOSE-DRIVEN CINEMA

Sanjib Sabhapandit is in conversation with Utpal Datta about Assamese cinema, purpose-driven filmmaking, cultural identity, audience re...

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THE DAY A NEW INDIA CAME HOME

On October 1, 1992, Zee TV opened a new window for Indian television. Karuna Samtani, Zee’s first employee, remembers its pioneer...

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THROUGH HER EYES: ART RESISTS VIOLENCE

A powerful reflection by Sushil Poddar on Ratnabali Kant’s installation performance Nipped in the Bud, where co...

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2xI WILL GO? YES NO: MONOJIT LAHIRI

Monojit Lahiri investigates how deep is deep in extra-marital journeys across reel and real life, exploring love triangles, de...

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MUMBAI ARCHITECTURE THROUGH HERITAGE

A Well-researched Look at Mumbai’s Architecture By Prof. Dr. Avinash Kolhe explores the city’s remarkable architectural evo...

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