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FESTIVALS: RAM KUMAR SHAPES SILENT ARCHITECTURES

Cosmic Heart Gallery presents Architect of the Abstract, a curated selection of Ram Kumar’s mixed media works on paper, revealing the lyr...

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GENDER: THE LEGACY OF QUEER FILMS IN INDIA

From hidden subtexts to revolutionary narratives, Indian queer cinema chronicles a defiant evolution—resisting erasure, embracing complex...

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THOUGHT FACTORY: PATRIARCHY DENIAL AND BLIND SPOTS

Finance Minister Nirmala Sitharaman’s patriarchy denial stresses the need for a shift from hyped nationalism to inclusive patriotism, the...

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TRENDING: MASCULINITY AND MANIPULATIONS DOMINATE

Films were never meant to be a medium to express hate against women, religion, community, or dissenting voices. Lately, however, Indian films a...

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THE COURAGE AND CONVICTION OF SAIF HYDER HASAN

After seeing the film YES PAPA, story of a victim of child sexual abuse at the hands of her father, Vinta Nanda has a conversa...

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MAHUA MOITRA KO GUSSA KYON AATA HAI?

When talking about Mahua Moitra’s expulsion from the Indian parliament, the question that haunts is, what are the rules, writes V...

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‘JADUNAMA’ - A RAY OF LIGHT IN IMMENSE DARKNESS

Humra  Quraishi comments on the truth lurking behind green curtains in the capital city especially decked up for the G20 ...

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A DARK AND SHINY PLACE: EXPLORING GRIEF

Vinta Nanda talks to media professional and curator of entertainment content Pragati Deshmukh as she sets out to release her d...

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CHARLES DARWIN IS THE ENEMY

Satyabrata Ghosh juxtaposes the ritualistic inauguration of the new Parliament building in New Delhi on the 28th Ma...

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THE POLITICAL GAMECHANGER

Satyabrata Ghosh analyses the politics of the day, and arrives at conclusions, which opposition parties must adhere to if they...

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