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DEMOCRACY ON UNEVEN GROUND

Vinta Nanda examines how corporate power, religious majoritarianism, weakened institutions, and narrative control are reshaping Indian ...

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ANANTH MAHADEVAN AGAINST THE ODDS

In this candid interview with Khalid Mohamed, filmmaker-actor Ananth Narayan Mahadevan reflects on cinema, theatre, rejection,...

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STUDENT CITY PART 1

A sharp, evocative campus romance unfolds in The Daily Eye’s Kaleidoscope section, as Prof Dr Piyush Roy’s compelling ficti...

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CINEMA VERSUS VERTICAL STORYTELLING SHIFT

Vinta Nanda explores how vertical storytelling is reshaping audience behaviour, why independent cinema must build communities,...

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PARALLEL LIVES BETWEEN THEATRE & CORPORATE WORLDS

In this candid conversation, interviewer Vinta Nanda speaks with Prakash Vaswani about theatre, corporate life, cultural reviv...

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ART IS BORN FREE: TEJAS SONI’S JOURNEY

Ahmedabad-based artist Tejas Soni reflects on five decades of living artfully—across painting, sculpture, wildlife and s...

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HOUSEFULL WITHOUT AUDIENCES: THE BOX-OFFICE ILLUSION

When marketing noise replaces footfalls and perception trumps participation, Indian cinema risks hollowing itself out. The growing gap between ...

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HOLLYWOOD: DESTINIES AND CULTURAL IDENTITIES

A reflective meditation on love, migration, memory, and cultural identity, this deeply personal reading of Past Lives (2023) by Vandana...

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BUSINESS: MARKETS, MEANING AND MORAL RECKONINGS

A Year Through The Daily Eye: A sweeping reflection on The Daily Eye’s Business writing in 2025, where ...

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ALTERNATIVE ENTERTAINMENT: DOING IT MY WAY

Lately, it’s been raining awards and accolades on the path-breaking multi-media achiever. And she has preserved a child-like persona, ope...

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