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RAMAYANA PART ONE: EPIC RETELLING

An epic retelling on a canvas of unprecedented ambition by Arnab Banerjee: Nitesh Tiwari’s ambitious adaptation brings scale, Read More

THE NEW BUSINESS OF ENTERTAINMENT

When Brands Become The Storytellers: The New Business Of Entertainment: Vinta Nanda explores how brands, technology, c...

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THE DAY A NEW INDIA CAME HOME

On October 1, 1992, Zee TV opened a new window for Indian television. Karuna Samtani, Zee’s first employee, remembers its pioneer...

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TOXIC REVIEW: AMBITION WITHOUT ARRIVAL

Dr Piyush Roy examines Toxic: A Fairy Tale for Grown-Ups, exploring Geetu Mohandas and Yash’s visually ambitious gangste...

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KASTOORI: CINEMA, DIGNITY AND SELF-RESPECT

Binod Kamble’s film Kastoori begins with a stark scene of cleaning a dirty toilet. Utpal Datta explores its portrait of marginali...

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THE JUST: POLITICS, MORALITY, VIOLENCE

Prof Dr Avinash Kolhe reviews The Just, Albert Camus’s powerful political-moral play, in its Hindi adaptation in India, ...

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I LIVE INSIDE THE VISUAL WORLD

Utpal Datta speaks with Sri Lankan filmmaker Nadie Wasalamudaliarachchi about her acclaimed debut feature Pantrum Read More

TWO POWERFUL THEATRE REFLECTIONS

Sohaila Kapur reflects on two compelling theatre experiences — the experimental student production Rashk and th...

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ANANTH MAHADEVAN AGAINST THE ODDS

In this candid interview with Khalid Mohamed, filmmaker-actor Ananth Narayan Mahadevan reflects on cinema, theatre, rejection,...

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MAHESH DATTANI’S THE MONK AND THE WARRIOR

Avinash Kolhe reviews Mahesh Dattani’s The Monk and the Warrior, a cross-cultural queer narrative blending history, myth...

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