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OHH MY DOG: LOVE, LOYALTY, LOSS

Canine Loyalty Meets A Darker Tale of Loss, Courage and Justice. Arnab Banerjee reviews Amit Rai’s Ohh My Dog, a heartfe...

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INDEPENDENT CINEMA FINDS ITS AUDIENCE

At WIFF 2025, Kabeer Khurana, Deepa Gahlot and Siddharth Kak examined independent cinema, technology, exhibition, audiences an...

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ANIRBAN: CINEMA BEYOND DEATH'S SILENCE

Forty-five years after its release, Bhabendra Nath Saikia's Anirban remains an overlooked cinematic masterpiece. Utpal Datta explores i...

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GOODBYE SHATTERS THE NARRATIVE GRAMMAR

Vinta Nanda discovers in Deeshak Patra’s 18-minute-long At Last We Said Goodbye a fearless new cinematic voice,...

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IDENTITY, EXILE, MEMORY AND DEATH

Devdutt Trivedi examines Pankaj Rishi Kumar’s To Die a Frenchman through phenomenology, absurdism and existentialism, Read More

DINESH RAHEJA’S POETRY OF LONGING

Radhika Pandey explores Dinesh Raheja’s new poetry collection, ‘अधूरी ख़्...

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SLOW CINEMA AGAINST CONSUMED TIME

Poetry Of Slow Cinema In The Times Of Reels & Shorts: Sharad Raj examines how slow cinema resists commodified atte...

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UTTAM KUMAR: BENGAL’S ETERNAL MAHANAYAK

Forty-six years after Uttam Kumar’s death, Bengal’s Mahanayak remains unmatched. Monojit Lahiri revisits his enduring stard...

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MAX, MIN, MEOWZAKI: LOVE, LOSS AND A CAT

Saibal Chatterjee reviews Max, Min and Meowzaki, a warm, perceptive exploration of love, grief, family, friendship and healing...

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PRATIBHA SUMAN: REFUSING PRESCRIBED BOUNDARIES

From a small-town childhood to theatre, cinema, poetry and cultural activism, Pratibha Suman tells Vinta Nanda how independence shaped ...

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