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DINESH RAHEJA’S POETRY OF LONGING

Radhika Pandey explores Dinesh Raheja’s new poetry collection, ‘अधूरी ख़्...

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SLOW CINEMA AGAINST CONSUMED TIME

Poetry Of Slow Cinema In The Times Of Reels & Shorts: Sharad Raj examines how slow cinema resists commodified atte...

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UTTAM KUMAR: BENGAL’S ETERNAL MAHANAYAK

Forty-six years after Uttam Kumar’s death, Bengal’s Mahanayak remains unmatched. Monojit Lahiri revisits his enduring stard...

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FILM CRITICS SHAPE INDIAN CINEMA

Film Critics And Indian Cinema…Perfectly-Unmatched!? India, the world’s largest film-producing n...

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THE LAST LANGUAGE OF DEMOCRACY

As Sonam Wangchuk's fast enters its twentieth day, this essay examines hunger strikes worldwide, democratic dissent, capitalis...

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MAGDALEN OF THE CANADIAN ARCHIPELAGO

Sohaila Kapur chronicles an unforgettable journey through Canada’s Magdalen Islands, exploring Acadian history, breathta...

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WOMEN RESHAPE INDIA'S CREATIVE ECONOMY

From beauty and fashion to design, healthcare, communications and conscious luxury, India's women are building businesses rooted in heritage an...

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NO LIMITS: SAYANI GUPTA BREAKS BOUNDARIES

To make up for a briefer-than-brief conversation with her back in 2022 at the wedding of Richa Chadha-Ali Fazal, over to an insightful ...

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THERE IS ALWAYS ROOM AT THE TABLE

As debates around immigration, citizenship and belonging intensify worldwide, Vinta Nanda writes about Shared Table: Regional Heroe...

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OF SHARED DESTINIES AND FRACTURED BONDS

Film critic Saibal Chatterjee reviews Pritha Chakraborty's Phera, a deeply moving father-son drama that explores home...

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