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BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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BOLLYWOOD: EIGHTY THREE WOWS FOR THE BIG B!

On his 83rd birthday, Monojit Lahiri traces Amitabh Bachchan’s extraordinary evolution—from a shy, lanky Calcutta boy with an unmis...

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THOUGHT FACTORY: CENSORSHIP, CINEMA, AND THE COST OF CONSCIENCE

A searing conversation between filmmaker Vinta Nanda and journalist Anna MM Vetticad on censorship, complicity, and conscience...

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THOUGHT FACTORY: THE DEATH OF THE STORYTELLER

As censorship tightens and expression is choked, storytellers face an existential crisis. With creativity shackled by morality and control, is ...

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POLITICS: THE BRUTALITY OF BULLDOZING HOMES

"A stark exploration of the systemic bias and brutality in India’s use of bulldozing homes, revealing the deep-seated political and relig...

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KALEIDOSCOPE: A TALE SET IN THE TIMES OF ANARCHY

With Kahini: A Story of Our Times, Om Books International’s recently published English translation of his 2008 Assamese novel by the same...

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TRENDING: A CATASTROPHIC TURNING POINT

The arrest of Delhi's Chief Minister and AAP leader, Arvind Kejriwal, represents a catastrophic turning point for the ruling Right-Wing governm...

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WHO’S TO BE BLAMED: THE FILM OR INDIAN AUDIENCES

Leher Sethi walks us through the many reasons why as a society we are to blame as much for the toxic misogyny and sexism in th...

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DIAL A SHRINK SAY THE GIRLS

Animal is not only a retaliation to the women’s demand for equal rights, it is the callousness of testosterone driven marketers who don&r...

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WHO SOLD MY HOMELAND! WHO PAID THE PRICE!

Humra Quraishi addresses the trauma and abuse that children face in a hate-filled and warring world as Children’s Day on...

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