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MOVIES: URBAN TALE OF CASTE BIASES

Prithvi Konanur's 2023 release, "Hadinelenthu", masterfully unveils the deep-rooted caste biases within the educational system and beyond, writ...

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ALLOW CHILDREN TO WATCH FILMS AT FILM FESTIVALS

12-year-old Kaurwakee Vasistha questions the business in which children are employed to perform and be a part of practically e...

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DR BRIJESHWAR SINGH’S CALENDAR YEAR

Aparajita Krishna interviews Dr Brijeshwar Singh, one of the best known orthopaedic surgeons of Uttar Pradesh and understands ...

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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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STARFARE-FILMDUST: A Flashback

Aparajita Krishna recalls the magical times of film magazines and the gossip about film stars they carried, through the voices...

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Our Film Festivals: Tamashas or reality checks

Monojit Lahiri investigates whether our film festivals are arty time-pass or educative game changers.  <...

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The Indian ‘New Wave’ for the Millennial

Even though I use a lot of close ups, “Once upon a time, long, long ago…” should be the tone and tenor of this account from ...

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Give peace a chance

Khalid Mohamed in conversation with the eminent filmmaker and documentarist Ramesh Sharma on his new feature-length documentar...

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I will always be an art filmmaker - Sanal Kumar Sasidharan

Cinema in the time of spiralling budgets is not his scene. Sanal Kumar Sasidharan, the 41-year-old outspoken di...

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India’s Participation at the Berlinale, 2018

As the curtains fell on the 68th Berlin International Fil...

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