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GOODBYE SHATTERS THE NARRATIVE GRAMMAR

Vinta Nanda discovers in Deeshak Patra’s 18-minute-long At Last We Said Goodbye a fearless new cinematic voice,...

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DINESH RAHEJA’S POETRY OF LONGING

Radhika Pandey explores Dinesh Raheja’s new poetry collection, ‘अधूरी ख़्...

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UTTAM KUMAR: BENGAL’S ETERNAL MAHANAYAK

Forty-six years after Uttam Kumar’s death, Bengal’s Mahanayak remains unmatched. Monojit Lahiri revisits his enduring stard...

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DESIGNING SPACES THAT FEEL HUMAN

Arnab Banerjee profiles designer Tasha Singh, whose inventive practice bridges Indian craftsmanship and contemporary thinking,...

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PHULE’S THIRD EYE STILL BURNS

Prof Dr Avinash Kolhe reflects on a dramatic reading of Jyotiba Phule’s Trutiya Ratna, exploring its critique o...

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PRATIBHA SUMAN: REFUSING PRESCRIBED BOUNDARIES

From a small-town childhood to theatre, cinema, poetry and cultural activism, Pratibha Suman tells Vinta Nanda how independence shaped ...

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THIRTEEN DAYS WHEN HUMANITY HELD

At an intimate Mumbai screening of Martin Bourboulon’s 13 Days, 13 Nights, the fall of Kabul became more than history re...

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PHULE'S THIRD EYE RECLAIMS RELEVANCE

The Third Eye, Opens Again: Phule's Forgotten Play Speaks Powerfully to Our Times. The dramatized reading of Trutya Ratna ...

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FILM CRITICS SHAPE INDIAN CINEMA

Film Critics And Indian Cinema…Perfectly-Unmatched!? India, the world’s largest film-producing n...

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WHEN CLAY BECOMES LIVING POETRY

Arnab Banerjee finds out how Poettery founders Anubir Singh and Bhavana transformed handcrafted ceramics into a philosophy of ...

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