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PRATIBIMBA: MARATHI THEATRE’S SPIRIT
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MIRROR TO A CAUSE: CINEMA OF ANSHUL SINHA
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ESCAPING INTO REALITY: KETAKI SHETH
Ketaki Sheth, a renowned image-maker, with four decades of dedication to a wide spectrum of themes and subjects, who is curren...
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CINEMA VERSUS VERTICAL STORYTELLING SHIFT
Vinta Nanda explores how vertical storytelling is reshaping audience behaviour, why independent cinema must build communities,...
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POWER, PRIVILEGE, AND OUR SILENCE
A searing reflection on the Epstein revelations and what they expose about unchecked power, privilege, and the illusion of democracy—ques...
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WHEN ASHISH VIDYARTHI TURNS MEMORY INTO THEATRE
An intimate evening at Seagull Studio where Ashish Vidyarthi transforms personal memory into performance, revealing the power of storytelling, ...
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TRENDING: CULTURE, SCREENS, STORIES, SHIFTS, POWER
From blockbuster star sightings to emerging tech, awards honouring inclusivity, breakthrough entertainment ventures and the rise of reading-led...
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BOLLYWOOD: HAQ AND THE PRICE OF A WOMAN’S VOICE
In 1978, Shah Bano, an elderly Muslim woman from Indore, filed a petition seeking maintenance from her estranged husband—what began as a ...
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KALEIDOSCOPE: THROUGH CONFLICT, TRUTHS STAND TALL
My own encounter with the book has been a unique reader-experience, writes Aparajita Krishna. A one-of-a-kind in my reading of...
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RETROSCOPE: MAN WITH THE GOLDEN GUITAR
Khalid Mohamed replays the life and oeuvre of Van Shipley, who was a formidable name once, but has never been acknowledged in ...
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MOVIES: INDIA PREMIERE OF JESUS IN SIGN LANGUAGE
A groundbreaking cinematic milestone, JESUS premieres in India, breaking barriers with American and Indian Sign Language, Hindi dubbing, and En...
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BOLLYWOOD: TWO FILMS, TWO FLAWED JOURNEYS
War 2 and Tehran both promise high-octane entertainment and politically charged drama but falter under bloated storytelling, uneven execution, ...
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