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ART IS BORN FREE: TEJAS SONI’S JOURNEY

Ahmedabad-based artist Tejas Soni reflects on five decades of living artfully—across painting, sculpture, wildlife and s...

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WHEN INDEPENDENT FILMS FIND THEIR AUDIENCE

From festival screenings to public platforms, WIFF Mumbai celebrates a defining moment as its films travel wider. Vinta Nanda reflects ...

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SHOBHAA DE STRIKES AGAIN, AGE HAS NO LIMITS

WARNING! DANGER AHEAD FOR - THE PRUDISH PURITANICAL…SHOBHAA DE STRIKES AGAIN!! Monojit Lahiri offers personalized observations on the un...

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JIMMY SHERGILL: A CLASS ACT, ALWAYS

An intimate, insightful portrait of Jimmy Shergill—an actor of rare restraint and integrity—by Khalid Moha...

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ECHOES ON PAPER: CRAFT, MEMORY, CONTINUUM

Bridging nineteenth-century devotion and contemporary philosophy, this exhibition traces the enduring continuum of printmaking—where pape...

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WHY ARCHIVING CINEMA MATTERS: NEVILLE TULI

A wide-ranging conversation on archives, cinema, and cultural consciousness, where interviewer Vinta Nanda engages Nev...

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REVIEW: HAPPY PATEL - KHATARNAK JASOOS IS BIG ON INTENT, LIGHT ON LAUGHS

The actor-director’s spy spoof aims for absurdist satire but collapses under stereotypes, scattered themes, and overextended gags, despit...

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POWERFUL PEOPLE: THOSE BASIC VISUAL INSTINCTS

Ravi K. Chandran, among the A-list of superstar technicians of Hindi and south Indian language cinema, has excelled in his met...

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THOUGHT FACTORY: THINKING SLOWLY IN NOISY TIMES

A year-end reflection on The Daily Eye’s Thought Factory, where writers interrogated art, power, cinema, gender,...

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RETROSCOPE: LOOKING BACK AT WHAT ENDURES

A year of remembrance and resistance, where Khalid Mohamed, Monojit Lahiri, Shantanu Ray Chaudhuri, Devdutt Trivedi, Utpal Datta and Sa...

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