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ALTERNATIVE ENTERTAINMENT: GHATAK, JUNG, BRECHT & PARTITION

In this profound essay, writer and filmmaker Sharad Raj explores how Ritwik Ghatak merged Marxism, Jungian ps...

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ALTERNATIVE ENTERTAINMENT: ABOUT PSYCHOANALYTIC MOTIFS

 

Devdutt Trivedi critiques David Cronenberg's Crimes of the Future Read More

RETROSPECTIVE: CINEMA, CONSCIOUSNESS AND TIME

Exploring Shumona Goel’s experimental cinema through fragmented time, sensory aesthetics, and urban modernity, this analysis connects her...

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MOVIES: FATE AND FATALISM IN NOIR

Led to introspect after a life-altering heart attack, Sharad Raj explores the dark brilliance of Edgar G. Ulmer's Detour Read More

HOLLYWOOD: CINEMA & SPACE, WOODY ALLEN'S NEW YORK

New York and Woody Allen are synonyms one can safely say and the vast Central Park, where Woody Allen would take rounds for decades, is their c...

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ALTERNATIVE ENTERTAINMENT: REVERSING ROLES IN CHAALCHITRA EKHON

‘Chaalchitra Ekhon’ serves as a reflective piece on the generational shift from Western-centric aspirations to a more introspective...

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ALTERNATIVE ENTERTAINMENT: CRAFTSMANSHIP AND FORM

Towards the non-bourgeoise tales from screen and stage: Amar Singh Chamkila and Lavani ke Rang are explored here by filmmaker Sharad Ra...

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MOVIES: HERE’S WHAT RANJAN DAS RECOMMENDS

From Tarantino’s Inglourious Basterds, Kinatay & the Filipino Underbelly, to Justine Triet, Kieslowski and an American-Iranian, check...

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GAIETY-GALAXY: & THE BLACK MARKET

Sharad Raj elaborates on the calculations his wife and he made at the beginning of their life together in Mumbai, which led to...

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UGETSU MONOGATARI: THE MIZOGUCHI TREASURE

The cinema of Kenji Mizoguchi glides in and out of people’s lives with fluid grace and exquisite tact, writes Sharad Raj...

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