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FESTIVALS: KASHISH EXPANDS BORDERS ONLINE

Hundreds of LGBTQ+ films screen at KASHISH 2025 Online Film Festival. The month-long festival aims to provide easy access beyond geographical b...

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ALTERNATIVE ENTERTAINMENT: ANIRUDDHA’S CINEMATIC EVOLUTION

Aniruddha Roy Chowdhury returned to Bengali cinema after a hiatus of almost a decade, during which he made waves with his Hind...

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FESTIVALS: OF MUSIC, MEMORIES AND MUSICAL MEMORIES

Music weaves memory, emotion, and meaning into life’s quietest and loudest moments. On World Music Day, Shantanu Ray Chaudhuri Read More

KALEIDOSCOPE: BEHIND THE REEL WITH PUNEET SIKKA

Puneet Sikka dives into her debut novel Take No. 2020, a slice-of-life exploration of the Hindi film industry's trials, humour, and hi...

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POWERFUL PEOPLE: FROM CRIME REPORTING TO FICTION

Aditi Mediratta’s journey from crime reporting to becoming a celebrated fiction writer, screenwriter, and novelist, speaks of her creativ...

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IS DIGITAL TECHNOLOGY KILLING…INTIMACY??

Monojit Lahiri does a check out on how technology has impacted the idea of intimacy and the concept of interpersonal communica...

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KEECHAR VERSUS GULAL

Satyabrata Ghosh analyses the following words spoken by the Prime Minister of India in parliament: “Keechar uskey paas t...

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A QUESTION MARK IN THE FACE OF A COLLECTIVE LIE

Humra  Quraishi questions the many lies, when too often said aloud, and made out as propaganda, seems to sound like the t...

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PUCL CONDEMNS: Raids on The Wire’s Editors

The PUCL strongly condemns the raids on the residences and office of senior editors of the news portal, The Wire, in New Delhi and Mumbai, repo...

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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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