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RAMAYANA PART ONE: EPIC RETELLING

An epic retelling on a canvas of unprecedented ambition by Arnab Banerjee: Nitesh Tiwari’s ambitious adaptation brings scale, Read More

DIWALI IS SERVED WITH LOVE

What Does It Mean to Eat Sustainably During Diwali? Diwali is as much about food as it is about light. Exploring India's rich ...

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FESTIVE LOVE TRAP: THE SECOND-CHANCE DILEMMA

Across India, a survey of previously married singles reveals how festive gatherings intensify loneliness, comparison and press...

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THE DAY A NEW INDIA CAME HOME

On October 1, 1992, Zee TV opened a new window for Indian television. Karuna Samtani, Zee’s first employee, remembers its pioneer...

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HEALTHY BOUNDARIES SHAPE SECOND CHANCES

A Rebounce survey of 9,283 previously married Indians reveals how healthy boundaries with former spouses, emotional clarity, s...

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GANDHARI REVIEW: MISSES MARK BY MILES

In this review, Saibal Chatterjee finds Devashish Makhija’s Gandhari an ambitious but deeply flawed thriller, where Taap...

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DINESH RAHEJA’S POETRY OF LONGING

Radhika Pandey explores Dinesh Raheja’s new poetry collection, ‘अधूरी ख़्...

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HINDI CINEMA: UNDER HOLLYWOOD’S HAT

Khalid Mohamed recalls the impact (and copycatting) of Hollywood cinema and its gossip journals, which inspired countless ente...

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DAADI KI SHADI REVIEW ANALYSIS

Arnab Banerjee reviews Daadi Ki Shadi, examining its progressive premise, hesitant storytelling, uneven humour, and N...

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MIRROR TO A CAUSE: CINEMA OF ANSHUL SINHA

Anshul Sinha’s journey through indie cinema reflects risk and purpose, as his film Million Views attempts to heal a frac...

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