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Retroscope

FEARLESS NADIA’S HUNTERWALI FILM PHENOMENON

Film historian and Proffessor Piyush Roy revisits Hunterwali (1935), the groundbreaking Wadia Movietone stunt classic...

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Alternative Entertainment

SAFAR MEIN SHAHAR: CITY AS CHARACTER

Film critic Utpal Datta explores Mazhar Q. Kamran’s Safar Mein Shahar, examining how Mumbai em...

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Retroscope

AMITABH BACHCHAN: HINDI CINEMA’S DARK EDGE

The Greatest villain that Hindi films could not have…though one is not complaining about what one got instead. Sharad Raj explor...

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Business and Politics

BOB DYLAN’S IMMIGRANT LAMENT STILL HAUNTS US

In this searing cultural meditation, Khalid Mohamed revisits Bob Dylan’s protest song on migration, lin...

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Movies

WHEN INDEPENDENT FILMS FIND THEIR AUDIENCE

From festival screenings to public platforms, WIFF Mumbai celebrates a defining moment as its films travel wider. Vinta Nanda reflects ...

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Thought Factory

SHOBHAA DE STRIKES AGAIN, AGE HAS NO LIMITS

WARNING! DANGER AHEAD FOR - THE PRUDISH PURITANICAL…SHOBHAA DE STRIKES AGAIN!! Monojit Lahiri offers personalized observations on the un...

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Gender

GENDER: CHAI AND LOVE MEET ON STAGE

In this intimate column, Vinta Nanda writes about The Chai Queens, its emotional homecoming to Mumbai, and how theatr...

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Powerful People

POWERFUL PEOPLE: A BEAUTIFUL MIND

Veenapani Chawla’s chance encounter with Naseeruddin Shah culminated in the birth of the Adishakti Laboratory for Theatr...

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Thought Factory

THOUGHT FACTORY: PREGNANT RECALLS!

Writer Aparajita Krishna weaves memory, cinema, politics, motherhood and moral courage into interlinked recalls, moving from S...

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Hollywood

HOLLYWOOD: DESTINIES AND CULTURAL IDENTITIES

A reflective meditation on love, migration, memory, and cultural identity, this deeply personal reading of Past Lives (2023) by Vandana...

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