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BOLLYWOOD IGNORES WOMEN IN COMEDY

Monojit Lahiri investigates the persistent absence of strong comic roles for leading Bollywood actresses, examining industry b...

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JOY SENGUPTA: ACTOR WITHOUT COMPROMISE

In a rare, deeply reflective conversation with Khalid Mohamed, actor Joy Sengupta traces his journey across theatre, c...

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POWERFUL PEOPLE: NOT A MAN’S WORLD ANYMORE

Huma Qureshi, who believes that Mumbai’s show business isn’t a man’s exclusive world anymore, has belted out...

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GENDER: DAWN AT DUSK – THE NEW CINEMATIC PHENOMENON

Monojit Lahiri focuses on an unusual phenomenon gracing the Bengali screen in recent times – a celebration of older wome...

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BOLLYWOOD: LET HEROINES BE FUNNY, TOO

Comedy Roles for Bollywood Heroines? Kya Joke Mara!! Monojit Lahiri wonders why good, solid comic roles are not writt...

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THOUGHT FACTORY: STARDOM & SPECTACLE IN NAYA BHARAT

In today’s Naya Bharat, actors trade craft for stardom, embracing regressive blockbusters and right-wing narratives, while genuine talent...

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BOLLYWOOD: FROM STAGE TO SCREEN AND OTHER MEDIUMS

Monojit Lahiri explores the complexities, highlighting the nuanced distinctions and unique challenges actors face when moving ...

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GAIETY-GALAXY: & THE BLACK MARKET

Sharad Raj elaborates on the calculations his wife and he made at the beginning of their life together in Mumbai, which led to...

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WOMEN INTERRUPTED

Monojit Lahiri investigates what constitutes the attitude towards women in film industries across the world and why women film...

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A Requiem For Mayfair Cinema

English movies which essentially meant Hollywood films (Hollywood being the benchmark for “good cinema” catering to the English-spe...

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