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THROUGH HER EYES: ART RESISTS VIOLENCE

A powerful reflection by Sushil Poddar on Ratnabali Kant’s installation performance Nipped in the Bud, where co...

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2xI WILL GO? YES NO: MONOJIT LAHIRI

Monojit Lahiri investigates how deep is deep in extra-marital journeys across reel and real life, exploring love triangles, de...

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DAAYRA CHALLENGES JUSTICE MORALITY

Arnab Banerjee reviews Meghna Gulzar's Daayra, a morally ambitious crime drama where Kareena Kapoor Khan and Prithviraj Sukuma...

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STAR POWER DROWNS HAIWAAN’S THRILLER

Arnab Banerjee reviews Haiwaan, Priyadarshan’s remake of Oppam, arguing that an intriguing psychological thriller is overwhelmed by Akshay Kumar&rsqu...

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THERE’S NO IF…ONLY BHATT!

As 78-year-old veteran filmmaker, producer and writer Mahesh Bhatt called time and dialled out of the director's space, Monojit Lahiri&...

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MOTHERS, RESISTANCE AND COURAGE

Sharad Raj examines Sabiha Khanum and Leela Bora, two mothers whose compassion, dignity and courage reveal how motherhood can transcend...

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GOODBYE SHATTERS THE NARRATIVE GRAMMAR

Vinta Nanda discovers in Deeshak Patra’s 18-minute-long At Last We Said Goodbye a fearless new cinematic voice,...

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FILMING MEMORY THROUGH PERSONAL LANDSCAPES

In this exclusive interview with Utpal Datta, filmmaker Vikram Kumar reflects on memory, grief, migration, belonging, autobiog...

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ANANTH MAHADEVAN AGAINST THE ODDS

In this candid interview with Khalid Mohamed, filmmaker-actor Ananth Narayan Mahadevan reflects on cinema, theatre, rejection,...

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PUBLIC RELATIONS CRISIS IN HEALTHCARE

Ranjan Das Gupta examines the neglected state of public relations in India’s healthcare system, highlighting systemic ga...

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