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DINESH RAHEJA’S POETRY OF LONGING

Radhika Pandey explores Dinesh Raheja’s new poetry collection, ‘अधूरी ख़्...

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Retroscope

UTTAM KUMAR: BENGAL’S ETERNAL MAHANAYAK

Forty-six years after Uttam Kumar’s death, Bengal’s Mahanayak remains unmatched. Monojit Lahiri revisits his enduring stard...

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Alternative Entertainment

THERE IS ALWAYS ROOM AT THE TABLE

As debates around immigration, citizenship and belonging intensify worldwide, Vinta Nanda writes about Shared Table: Regional Heroe...

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Festivals

PAGE MEETS SCREEN AT WIFF (LIT) MUMBAI

Where Stories Found Their Voice: WIFF LIT Opens Conversations Between Literature and Cinema

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Powerful People

POWERFUL PEOPLE: A BEAUTIFUL MIND

Veenapani Chawla’s chance encounter with Naseeruddin Shah culminated in the birth of the Adishakti Laboratory for Theatr...

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Thought Factory

THOUGHT FACTORY: DEATH OF THE WORKING CLASS HERO

Khalid Mohamed analyses the slow disappearance of the working-class protagonist from Hindi cinema, exploring how shifting audi...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: ANIRUDDHA’S CINEMATIC EVOLUTION

Aniruddha Roy Chowdhury returned to Bengali cinema after a hiatus of almost a decade, during which he made waves with his Hind...

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Gender

GENDER: THE LEGACY OF QUEER FILMS IN INDIA

From hidden subtexts to revolutionary narratives, Indian queer cinema chronicles a defiant evolution—resisting erasure, embracing complex...

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Gender

GENDER: DAWN AT DUSK – THE NEW CINEMATIC PHENOMENON

Monojit Lahiri focuses on an unusual phenomenon gracing the Bengali screen in recent times – a celebration of older wome...

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Movies

MOVIES: AAMAR BOSS WEARS MANY MASKS

A bittersweet tale of family, loneliness, and emotional overdrive, Amaar Boss blends sentiment with slapstick, raising valid questions while slipping often into me...

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