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HEINER GOEBBELS’ ORACLE MACHINE MUMBAI

At Great Eastern Mills in Mumbai, German composer and artist Heiner Goebbels unveiled The Oracle Machine, a mesmerizing installation of light, ...

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ADAMYA REVIEW BY SAIBAL CHATTERJEE

Writer-director Ranjan Ghosh’s Adamya (The Unbroken) is nothing short of a marvel, writes critic Saibal Chatterj...

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JOY SENGUPTA: ACTOR WITHOUT COMPROMISE

In a rare, deeply reflective conversation with Khalid Mohamed, actor Joy Sengupta traces his journey across theatre, c...

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A LAST CALL FOR THE PLANET

In this in-depth conversation with Vinta Nanda, Fr. Kureethadam Joshtrom reflects on ecology as an ethical and spiritu...

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FORGOTTEN DANCING QUEEN OF HINDI CINEMA

The Last Dance: Tragedy of a Dancing Queen - Khalid Mohamed narrates the rise and fall of the iconic Cuckoo Moray, who mentore...

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THE ETERNAL CRISES OF FILM SCHOOLS

From Argentina to India, film schools face political pressure, privatization threats, and ideological control. Sharad Raj refl...

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FROM COPY LINES TO CROP LINES: ARTI DWARKADAS

Vinta Nanda speaks to Arti Dwarkadas about her journey from advertising to organic farming, her debut book Two Ban...

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NADIRA BABBAR’S THEATRE LEGACY IN PRINT

Vinta Nanda visits Nadira Babbar ahead of Ekjute’s landmark launch of eighteen published plays written by her, <...

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POWER, PRIVILEGE, AND OUR SILENCE

A searing reflection on the Epstein revelations and what they expose about unchecked power, privilege, and the illusion of democracy—ques...

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ART IS BORN FREE: TEJAS SONI’S JOURNEY

Ahmedabad-based artist Tejas Soni reflects on five decades of living artfully—across painting, sculpture, wildlife and s...

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