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MUMBAI DESIGNER WINS KASHISH POSTER

Mumbai-based designer Pari Nirmal wins the KASHISH 2026 International Poster Design Contest, bringing the festival’s the...

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A TEST OF GLOBAL CONSCIENCE

A global outcry rises as the Taliban formalise domestic violence within law, drawing condemnation from Population Foundation of India and activ...

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GENDER: WHEN FIDELITY MEETS MODERN DESIRE

Twinkle Khanna’s remark on marriage and infidelity sparked nationwide debate a couple of weeks ago, and Vinta Na...

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TELEVISION: WHISPERS OF THE WHITE DESERT

This fifth and final chapter of Surabhi Diaries by Suhail Tatari captures Kutch in all its raw beauty—its culture, its c...

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ALTERNATIVE ENTERTAINMENT: GHATAK, JUNG, BRECHT & PARTITION

In this profound essay, writer and filmmaker Sharad Raj explores how Ritwik Ghatak merged Marxism, Jungian ps...

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ALTERNATIVE ENTERTAINMENT: WHEN PHANTOM INDIA WAS GHOSTED

Khalid Mohamed assesses the now accessible 1969 documentary, Phantom India, helmed by the French auteur Malle, which had been ...

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BOLLYWOOD: REVIEW - TANVI THE GREAT

A heartfelt yet oversimplified tale of autism, Tanvi The Great delivers emotional highs but falters in depth, relying on sentiment ove...

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POLITICS: BACKLASH ON DEI AND INTELLECTUAL INEQUALITY

As right-wing governments dismantle Diversity, Equity, and Inclusion, they push societies into intellectual and economic stagnation while the p...

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BUSINESS: HOW INDIAN IS INDIAN ADVERTISING?

As pride, identity and profiling increasingly come into play at the global level, questions will follow: Have we been able to define where Indi...

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RETROSCOPE: VIOLATIONS, DEMOLITIONS, PUBLIC OUTRAGE

Humra Quraishi’s reflections on a year of upheaval for minorities, where state actions and identity politics have eroded...

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