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DAAYRA CHALLENGES JUSTICE MORALITY

Arnab Banerjee reviews Meghna Gulzar's Daayra, a morally ambitious crime drama where Kareena Kapoor Khan and Prithviraj Sukuma...

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WOMEN FILM THEIR OWN LIVES

Prof. Dr. Avinash Kolhe reflects on Mast Mahila Mandali, the remarkable documentary co-created by ten working-class women from Mumbai,<...

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MIRZAPUR MOVIE REVIEW: BIGGER, BLOODIER

Arnab Banerjee reviews Mirzapur: The Movie, examining its ambitious leap from streaming to cinema, Pankaj Tripathi’s com...

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COURAGE AMID MUMBAI'S DARKEST NIGHT

Arnab Banerjee reviews Bharat Bhagya Vidhata, Manoj Tapadia's gripping account of courage during the 26/11 Mumbai attacks, hig...

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PURSUIT OF TRUTH: KANWALJIT SINGH UNFINISHED

In a reflective conversation with Vinta Nanda, veteran actor Kanwaljit Singh revisits his journey from Saharanpur to FTII, cin...

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INDIA’S AD WOMEN EVOLVE

The changing face of women in Indian advertising is no longer confined to stereotypes of glamour or sacrifice. Brands today are under pressure ...

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BOLLYWOOD MOTHERS BECOME MODERN MOMS

On Mother’s Day, writer Monojit Lahiri reflects on Bollywood’s evolving screen mothers, tracing the journey from s...

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WHY INDIAN TELEVISION IS FAILING

Vinta Nanda examines the sharp decline in Indian television viewership, exposing outdated storytelling, stagnant formats, and ...

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DHURANDHAR REVIEW SPECTACLE VERSUS SUBSTANCE

Dhurandhar – The Revenge unfolds as an ambitious spectacle, blending geopolitics, action, and emotional conflict, yet struggles to sustai...

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WHEN ASHISH VIDYARTHI TURNS MEMORY INTO THEATRE

An intimate evening at Seagull Studio where Ashish Vidyarthi transforms personal memory into performance, revealing the power of storytelling, ...

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