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KALEIDOSCOPE: THROUGH CONFLICT, TRUTHS STAND TALL
My own encounter with the book has been a unique reader-experience, writes Aparajita Krishna. A one-of-a-kind in my reading of...
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TRENDING: COMPLEXITY, NUANCE, POLITICAL CORRECTNESS & SHAM
From Aryan Khan’s debut to Dhadak 2, Heart Lamp, and fifty years of Sholay, this article by Sharad Raj...
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POWERFUL PEOPLE: THE BIG WORLD OF PRAVESH SIPPY
Khalid Mohamed in conversation with Pravesh Sippy on changing lanes from the big-budget films of his father N...
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FESTIVALS: ARE FILM FESTIVALS TAMASHAS OR REALITY CHECKS??
Often dismissed as elite echo chambers, film festivals straddle praise and parody. Monojit Lahiri investigates whether our film festivals are a...
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BOLLYWOOD: BOLLYWOODS SHAKY AFFAIR WITH THE KISS?
The evolution of kissing in culture and Bollywood, cinematic awkwardness, and the challenges of capturing authentic intimacy. Monojit L...
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DILIP KUMAR AT 101
Physically Dilip Kumar lived for 99 years (11th December 1922 to 7th July 2021). But like a loved and revered ancestor he...
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UNDERSTANDING THE BUSINESS OF HANDCRAFTED TEXTILES OF INDIA
Vinta Nanda has this fascinating conversation with author and chronicler Savitha Suri about Khadi, the name, which belongs to ...
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BOLLYWOOD’S AMAZING CHUMMA CHUMMA STORY: FROM OOOIMAA TO GO-BABY-GO!
A caress given with lips, key to paradise, the blossom of love, the first discharge of a purely, physical, sexual sensation, the first crisis o...
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THE ADDA OF GANGA VIHAR!
Aparajita Krishna dives deep to the not so long history of Ganga Vihar and what it holds together as a past unimaginable and r...
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THE ADDA OF GANGA VIHAR!
Aparajita Krishna dives deep to the not so long history of Ganga Vihar and what it holds together as a past unimaginable and r...
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