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GENDER: EXIT MATASREE...ENTER MOM–KI HOYA??

Once the emotional anchor of Hindi cinema, the quintessential Bollywood mother shaped generations of storytelling with her sacrifice—unti...

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ALTERNATIVE ENTERTAINMENT: FROM THE BY-LANES OF OUR YOUTH

A nostalgic reflection on François Truffaut’s Les Mistons, by Vandana Kumar, tracing cinematic memories,...

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BOLLYWOOD: BEING MANOJ KUMAR WAS NO LAUGHING MATTER

Manoj Kumar, iconic filmmaker and patriotic storyteller, left an indelible mark on Indian cinema with socially-rooted narratives, deep symbolis...

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GENDER: A CELEBRATION OF IDENTITY, AND STORYTELLING

A powerful gathering of women writers, critics, and storytellers deep diving to literature, cinema, and authorship—exploring identity, my...

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THOUGHT FACTORY: COMING UP… “LAGE RAHO” DAY!!

Life is a banquet, and I’m starving! Live fast, die young, and leave a sexy-looking corpse—Monojit Lahiri takes a ...

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TRENDING: A ‘NORMAL’ LOVE STORY, SAYS SRIDHAR RANGAYAN

Kuch Sapney Apne, releasing in theatres on 21st February, redefines love with its heartfelt queer romance, proving...

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KALEIDOSCOPE: TALKING PROCESS WITH HARINI SRINIVASAN

Harini Srinivasan, author of Lovestruck and Confused, discusses toggling between historical mysteries and contemporar...

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FESTIVAL: V-DAY-ISHQBAAZI…OR DRAMABAAZI??!

Monojit Lahiri checks out if the just-ended V Day is a magical way of looking at a glorious celebration, or is it a power...

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THOUGHT FACTORY: SUPERSTARS CAN'T SAVE FAILING FILMS

"Big budgets, bigger stars, and colossal failures—Indian cinema’s crisis lies not in its cast but in sidelined storytellers, as aud...

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ALTERNATIVE ENTERTAINMENT: SONGS AND TRUTH OF SATYAKAM

Exploring how Hrishikesh Mukherjee's Satyakam uses songs to deepen emotional connections, address moral dilemmas, and reflect the soci...

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